The Wave Magazine
Weds, September 8, 2004
PAC RATS
Can the Pacific Art Collective turn
San Jose into the art capital of the world?
By Scott DeVaney
When South Bay native William Rowan
claims that the San Jose art scene should be counted
in the same league as New York and Paris, he’s not
kidding. Nor is he foaming at the mouth and wearing
a little cap with a propeller on it; he’s dead serious.
And beyond just talking about all of the great, undiscovered
art Silicon Valley is producing, for the past two
years Rowan has been working 12-hour days trying to
coordinate and promote San Jose’s discombobulated
art movement.
“There’s a lack of organization [within
the Silicon Valley art community],” says Rowan, the
34-year-old founder, curator and self-described “zookeeper”
of the Pacific Art Collective. “[PAC] has pretty much
drawn a blueprint for the way art collectives should
aggressively approach their goals. With the success
that we’ve had, it’s completely exceeded our expectations.”
Since its inception in December of 2002,
the PAC has hosted 35 shows and currently averages
two or three per month. Since they don’t have a permanent
home, the PAC sessions (as they are commonly referred)
take place among rotating venues, although Rowan recently
inked a deal with Camera 12 Cinemas to do monthly
gigs at their theater complex in downtown San Jose.
What kind of art can you expect to find
at a PAC session? Well, that depends on what night
you show up. PAC shows offer decidedly eclectic works
and you’ll find every type of art lover between the
ages of 15 and 65. “Each show is different – not one
has been the same. The common denominator is it’s
all just art,” explains Rowan, sort of. “It doesn’t
matter if it’s hip-hop, spoken word, live painting,
a dance performance by the San Jose Ballet, or a reading
from the National Poetry Slam champion. What we’re
doing is a cross-pollination of art.”
Upon closer examination, however, a
few trends have emerged from PAC sessions. Even though
the visual art consistently varies, the night’s opening
musical act is usually a DJ, who’s typically followed
by a live band. And inbetween sets an emcee keeps
things flowing by introducing dance performances,
open-mic comedy or live poetry.
“We’ve blended the business and the
art scene, which has been a problem for both [in Silicon
Valley] in the past. They haven’t supported each other
and we need to find a way… The idea is to get people
to come down to San Jose. We’re all about exposure.”
And while San Jose is PAC’s launching
pad, you may have taken note of the word “Pacific”
in the group’s moniker. The long-term goal is to unite
emerging art movements throughout the Western region
of the United States and possibly Mexico. Rowan envisions
a day when his 300-member art collective will expand
to San Francisco, Portland, Seattle and L.A. PAC has
already made some progress with its grand plan. Not
only have their San Jose shows featured bands from
as far as L.A., but they recently put on their first
San Francisco show and they’re gearing up for two
events this year in Las Vegas (although even Rowan
admits that Vegas barely qualifies as a “Pacific”
town).
The next PAC session takes place on
September 16 at 7pm at the Camera 12 Cinemas (201
South Second St., San Jose), followed by a 6pm show
on September 24 at Works Gallery (20 North Third St.,
San Jose). Admission is $5. All money raised goes
into the PAC fund, which pays for PAC artists to travel
to Vegas and other out of town gigs. Nobody, including
Rowan, gets paid for the immense time and energy put
into this project.
For more information, visit www.pacificartcollective.com
http://thewavemag.com/pagegen.php?pagename=article&articleid=24993
By Scott DeVaney
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